Erosketa

 x 

Saskia hutsik dago
  • Opari ezberdin bat
  • Rosa Valverde eta kutxak
  • Plazas con frontón en Euskal Herria
  • Cuando fuimos vascones. Orígenes de Navarra
  • Immigranteak
  • Hodeiekin dantzan
  • Antilletan galdurik
  • … eta gauetik, euria
  • Snarkaren ehizan
  • Ata Pank eta Ate Punky. BISITA
  • Familia txikia
  • Armiarma oso lanpetuta dago

bernardo_atxaga_ee_uu

Ipar amerikako Graywolf Press argitaletxeak Zazpi etxe Frantzian ingelesez argitaratu berri du. Liburuak laster laudorio asko jaso ditu, hala nola, Publishers Weekly aldizkariak Atxagak duen ezohiko erraztasuna deskribapen zehatzetan, auzitegiko mediku baten modukoak, eta zeharkako pertsonaiak biziarazteko gaitasuna goraipatu ditu.

Hona hemen aldizkariaren berrikuspena eta esteka:

«Atxaga has been compared to Conrad, but the writer’s captivating literary anthropologies don’t seek to edify or shed light on the human condition. In his new, shamefully enjoyable novel, set in the Belgian Congo in the early part of the last century, the arrival of a devout and taciturn young officer into a contingent of colorful colonial soldiers on a remote jungle outpost on the River Congo sets off a palpitating chain of events. Chrysostome Liège is the best marksman in the Congo, a fact that his commander, the highfalutin poet-officer Capt. Lalande Biran, decides to use to his advantage—first using Liège to restore order in the bush, and then for more personal reasons. b_atxaga_ee_uuCaptain Biran’s beautiful wife wishes to acquire a seventh property in France, in fashionable St-Jean-Cap-Ferrat, “one of the most expensive places in the civilized world,” forcing him to engage in a risky contraband scheme with his covetous subordinate, the psychotic Lieutenant Van Thiegel. Atxaga possesses an uncanny gift for details bordering on the forensic, and he breathes life into this bevy of invariably perfectly pitched characters—from Captain Biran’s cowardly orderly Donatien to the mysterious Club Royal bartender Livo, who finally decides to take matters into his own hands when Van Thiegel perpetuates one final, inexcusable outrage. Nearly impossible to put down, Atxaga’s thrilling colonial masterpiece pulses with a kind of elemental power, like the Congo River itself.»
Publishers Weekly

Erosketak

 x 

Saskia hutsik dago

Erabiltzaileak

Ados bazaude, gune honek cookiak erabiliko ditu zure hizkuntza eta nabigatze aukerak oroitarazteko.